February 28, 2011

DEFENDING THE INDEFENSIBLE @ Toronto Underground Cinema

Who will stand up for the criticized, the panned, and the hated? Which movie critics are brave enough to DEFEND THE INDEFENSIBLE?

Starting March 4th, The Toronto Underground Cinema will be host to an exciting, new monthly film series: DEFENDING THE INDEFENSIBLE. The series is a monthly examination of overlooked, panned, and shunned films defended by local film scholars, writers, and bloggers. Every Friday night, the DEFENDING THE INDEFENSIBLE film series will pair an emcee and critic to screen and then interrogate and defend films considered contentious by the critical and genre-fan community.

As a blogger and film reviewer, I find myself from time to time coming to passionate defense of films that others have panned (for example: see my long-standing disagreement with Mail Order Zombie host Brother D about the merits of Burial Ground: The Nights of Terror). That's why I'm very excited about seeing DEFENDING THE INDEFENSIBLE at the Toronto Underground Cinema.
 
This Friday, DEFENDING THE INDEFENSIBLE debuts with a Double Bill:
March 4th: Special Series Opening Double Bill ($15 double bill)

LOCATION: Toronto Underground Cinema (186 Spadina Avenue, Toronto, Ontario)

7pm: Alien Resurrection, Defended by Norman Wilner (Now, MSN). Hosted by John Semley (Torontoist, amongst others)

9:30pm: Freddy Got Fingered, Defended by John Semley. Hosted by Norman Wilner

 If you're a film fan, critic, or just a fan of movie debate and the enduring struggle of the underdog, come out and enjoy DEFENDING THE INDEFENSIBLE.

Full press release and details after the jump

Hear me! Hear me! The Zed Word Appears on Mail Order Zombie #157

Last week, I joined host Brother D on Mail Order Zombie: Episode 157 to review French zombie film La Horde

Download Mail Order Zombie: Episode 157 here!

Also in this episode, Brother D reviews Rammbock/Siege of the Dead (dir. Marvin Kren), The Dead Can't Dance (dir. Rodrick Pocowatchit) and E'gad, Zombies! (dir. Matthew Butler).

Don't forget to vote The Zed Word: Zombie Blog as BEST ZOMBIE WEBSITE in the Mail Order Zombie DEAD LETTER AWARDS.

February 22, 2011

EAT ME! gets Distribution Deal

Eat Me!, the stoner zombie comedy, will be coming to DVD and online streaming retailer Indieflix starting March 22nd.

According to a press release from the producers of Eat Me!, the indie zombie film will be first available on DVD and Indieflix on March 22nd, with Netflix, Amazon, and iTunes, etc. to follow.  


Eat Me! is the directorial debut of Katie Carman and written by Elizabeth Lee.


Richard P. Rubinstein, producer of George Romero’s original 1978 Dawn of the Dead says Eat Me is a "very well done spoof in the tradition of “Shaun of the Dead” 

Also: Hungry Actors: The Zombies of EAT ME!


EAT ME!
Synopsis: Garage band General Malacarne are practicing their latest set when a mysterious blackout hits Brooklyn. While the band kicks back with some joints in their basement practice space, everyone above ground is transformed into ravenous zombies. Hilarious complications arise as the band realizes their predicament, and embarks on a half-baked scheme to escape the city to the imagined safety of Long Island.

About Cold Hands Productions: 

Based out of Brooklyn, New York, Cold Hands' co-founders Katie Carman and Elizabeth Lee have been producing short films, commercials and features for nearly 10 years. They are currently in post-production on their 2nd feature film, a noir horror titled "Off Season" which is scheduled to be completed Summer of 2011.

February 20, 2011

Return of the Living Dead: Rave to the Grave (Review)

REVIEW
Return of the Living Dead:
Rave to the Grave (2005)

Director: Ellory Elkayem

RATING:
1.5 / 5 zedheads

 

With Return of the Living Dead: Necropolis, director Ellory Elkayem took a big shit in the Return of the Living Dead sandbox. Now, with Rave to the Grave, Elkayem takes Return of the Living Dead out to a party and pukes in the franchise's hair.

Rave to the Grave pulls out no stops in delivering a complete turd of a movie. Trying desperately to be a tongue-in-cheek comedy, Rave to the Grave is a flat, ridiculous, boring, and confusing sequel to Necropolis with only one redeeming value: the film stars the beautiful Jenny Mollen.

You see what I mean
Okay, I'm not being entirely fair. Rave to the Grave also features some topnotch zombie makeup work from Optic Nerve. But that's all the credit I'll give this dung pile. Let's move on to the synopsis and get this gong show on the road.

Not even the Tarman is saved from the indignity of Rave to the Grave
Set vaguely after the events of Necropolis, although the events of that film are never referenced and the characters seem to have zero recollection of surviving that zombie outbreak, we are re-introduced to Julian (John Keefe, still looking perplexed in all his scenes). He's now at College, dating a lovely science student named Jenny (Jenny Mollen), and surrounding himself with another gang of douche bag friends to replace the ones eaten in the last film. Fellow survivor Becky (Aimee-Lynn Chadwick) is around, but she's so inexplicably changed from a clumsy nerd girl into a skimpy party babe that you'd be forgiven for thinking she's playing a different character. Also, Cody (Cory Hardrict), the token black guy and hacker from Necropolis, has applied himself to the field of chemistry and narcotics production. Party drugs are his game, and Jenny's DJ brother Jeremy (duck-lipped Cain Manoli) provides the place to sell them: really wicked raves!

The zombie action begins when Julian learns that his Uncle (Peter Coyote), the villain of Necropolis, has died. Julian seems oddly sad about the news. In a surprising reveal, he seems to be living at his Uncle's home still despite the fact that in Necropolis his Uncle was an evil bastard who turned Julian's parents into machine-gun zombies that tried to kill Julian and his friends. Is Rave to the Grave even supposed to be a sequel? Anyways, while packing up the attic, Julian discovers some Trioxin canisters stashed away by his Uncle. Julian, oddly enough, has no idea what they could be. No idea at all. Not a clue.

Remember: HIS UNCLE WAS OBSESSED WITH ZOMBIE EXPERIMENTS.

Bored yet? Here's more Jenny. Note Julian's eternally perplexed expression.
Clueless, Julian takes the zombie-creating Trioxin canisters  to his drug-peddling buddies and entrusts it to their care. Although they're college students, they act like veteran research scientists and discover that the fluid in the canister has properties similar to that of Ecstasy and other party drugs. Naturally, behind Julian's back, they turn the Trioxin into a new party pill called 'Z'. If you weren't turned off drugs by that freaky Snake anti-drug PSA from the 1980s, then let Rave to the Grave give you the straight dope: Homeboys that take 'Z' turn into brain hungry zombies, yo. That's whack. Just say, "No!"
Vegetarian hippies turned zombies. Just one of the hilarious jokes in Rave to the Grave
Pretty soon, people are acting like idiots, and goofy plot contrivances (including the nonsense appearance of the Tarman) bring about a zombie epidemic during a neon rave. Two bumbling Interpol agents I first mistook for European gangsters enter the fray for no clear reason other than that they want to find the Trioxin so their bosses will give them Cristal and trips to Euro Disney (I'm not making that up).

"Brains!" This movie has little.
The acting (save from Mollen) is horrible. Like Necropolis, Rave to the Grave was filmed in Eastern Europe with a number of European actors who had to be dubbed in English. Therefore, some of the dialogue that could have been slightly funny tumbles out of the mouths of actors in a dull and stilted way. While Optic Nerve once again provides better zombie makeup than the film deserves, the film is just boring to look at. I certainly hope the cast and crew had fun making the picture, because it was tedious to watch.

Not only is it the worst film in the Return of the Living Dead franchise, Rave to the Grave somehow manages to be worse than Necropolis.

It's going to take a long time for the franchise to clean this party puke out of its hair. 

Shaun of the Dead Island

Youtube user douglby gives us the Shaun of the Dead version of the wildly popular DEAD ISLAND trailer from earlier this week, in which a zombie attack plays out in beautiful reverse motion.


Tooth and Nail (Review)

REVIEW
Tooth and Nail (2010)
Craig Dilouie

Schmidt Haus Books: 2010

RATING:

4.5 / 5 zedheads





Tooth and Nail is one of the best zombie novels of 2010 if not one of the best zombie novels ever written.

I don't say this to be hyperbolic or to manufacture some kind of shallow promotional blurb. In fact, there are two solid reasons I shouldn't like Tooth and Nail in the first place. First, it is written primarily from the military point of view, in great technical detail, and I tend to bore easily of such military stories and jargon. Second, the zombies are not the living dead but the fast-running infected, not my favorite form of zombie (although I'm not opposed to them). However, Dilouie's masterful command of prose, dialogue, and visceral apocalyptic detail cuts through my biases like a line of heavy automatic weapon fire. His writing leaves me open to experience the rush of a truly harrowing, grisly, bleak, yet exciting and honest story about the military's fight to survive the end of humanity from the tooth and nail of a zombie horde.

In both its premise and its execution, Tooth and Nail will put your heart through a meat grinder.

In the novel, a highly infectious flu-like plague called Lyssa is beginning to spread to millions of Americans. Attempts to manage the epidemic are already putting a strain on America's infrastructure and health care system -- so much so, in fact, that platoons of soldiers fresh from the horrors of the Iraq war have been stationed in New York City to protect hospitals and other essential buildings. But this is only the beginning: Lyssa is actually carrying a vicious mutant strain that starts to turn the infected into violent, rabid savages with no fear, no remorse, and no other motivations than to bite and kill. Kill and bite. Dubbed "Mad Dogs," these rare infected cases surge in number, transforming into a full-fledged apocalyptic pandemic. Like pus-filled boils, hospitals begin to erupt and send Mad Dogs spilling into the streets. Like the bodies of its own citizens coursing with the virus, soon the veins and arteries of New York City's streets are also coursing with a feverish horde of Mad Dogs tearing the city apart from the inside.

Craig Dilouie's narrative follows several groups of American soldiers from the beginning of the Mad Dog assault to what can only be called the end of the world. New York falls to the Mad Dog horde, the military is in disarray, soldiers and civilians revolt, and the streets of New York become the sites of epic bloodbaths as the last remnants of the city's humanity rage against the oncoming dark of their own extinction. In between the violence, Dilouie takes you into the hearts and minds of the soldiers to explore their own emotional and mental struggles. When one swears to protect America, what does one do when all that's left of America is a memory and an idea? Where is the line between fighting and surviving? In this new landscape, how does one distinguish between duty and self-preservation?

Dilouie's greatest accomplishment is his emotional interest in his characters. One of the reasons I usually hate military stories is for their fetishistic description of military weapons technology. Sometimes I read stories more interested in describing the ins and outs of various types of carbines and ammo than the characters who wield them. While Dilouie's novel is indeed steeped in military detail (to the point that it requires a page devoted to explaining all the military abbreviations), he also explores a wide scope of diverse characters and breathes real vivid life into the men on the front lines. Tooth and Nail is neither a jar-headed exercise in unthinking military hero worship (hooah!), nor is it an anti-military criticism of chain-of-command / just-following-orders mentality. In fact, I was struck by how honestly and nuanced Dilouie depicts the military. In particular, he focuses on how the military's strict terms of engagement are particularly difficult for the soldiers to break when they're ordered to shoot infected civilians. Dilouie's soldiers are not cavalier murderers. They're human beings with all their individual faults and feelings. Dilouie uses the event of a zombie apocalypse to examine what it takes for a human being to kill not only foreign enemies but his or her own people.

Unfortunately, this character examination is also the novel's one weak point. To have such a scope of character, Dilouie hops the narrative around between too many characters and too many different groups. There is no core group of protagonists in Tooth and Nail. Chapters will be devoted to characters who never appear again. I also found it difficult to keep the characters straight in my mind and struggled recognize them when they reappear later in the story. Tooth and Nail is a whirlwind tour through the hearts and minds of scores of primary and incidental characters. While this establishes an epic scope to the apocalypse he depicts, his characters also become muddled and easily forgettable at the end of the day.

Furthermore, while many different views and opinions are given voice in the story, one set of voices is curiously absent. Where are the female soldiers? All the soldiers we meet are men. The only female character we are presented with in any detail is a research scientist the soldiers must eventually attempt to rescue. While most women in the military serve in the Airforce or Navy, in 2010 women made up 76,193 of 566,045 active duty soldiers in the US Army (that's 13.5%). That Dilhouie couldn't find the space in his novel for the voice of these female soldiers feels to me like a missed opportunity to fully represent the US military.

Regardless of its faults, Tooth and Nail is a gripping novel not limited in appeal to fans of military stories. The novel has heart and guts, in more ways than one. If you love zombie and apocalyptic narratives, and Tooth and Nail passed you by, you missed one of the best zombie novels of last year. Double back, and pick it up in paperback or for the Kindle today.

And that's an order, soldier.

February 17, 2011

VOTE for The Zed Word (2010 Dead Letter Awards)


For Your Consideration

Since 2008, I've been using The Zed Word to share my love of zombies through honest and (hopefully) fun reviews of zombie movies and books as well as original interviews, themed coverage, and coverage from zombie walks and film festivals. Don't forget my zombie videos!

If you've enjoyed reading The Zed Word as much as I've enjoyed writing it, please rise up from your graves to VOTE in the 2010 Dead Letter Awards and choose The Zed Word: Zombie Blog for BEST ZOMBIE WEBSITE.

Voting is free and easy. You can also vote for your favorites in categories such as Best Zombie Movie, Best Director, Best Book, and more!

Support zombie fandom. Support zombie media.

The Art of the Mash-Up: Contest Call for Entries


If you loved the "Zombie Lady" art on the cover of Quirk Books' Pride and Prejduice and Zombies, then you're going to love this contest from the Bridgeman Art Library and Quirk Books: The Art of the Mash-Up

The Art of the Mash-Up: Call for Entries


Announcing a design competition that redefines classic art and literature. Co-sponsored by Quirk Books and Bridgeman Art Library, we're looking for the most creative mash-up title and book cover design. Submit your entries by March 11, 2011 for a chance to win a great prize package.

The iconic “Zombie Lady” on the cover of the New York Times Best Seller Pride and Prejudice and Zombies captured the imagination of readers around the world and has become one of the most recognizable book jackets in recent history. Once the portrait of Marcia B. Fox, Quirk Books designer Doogie Horner obtained the image from Bridgeman Art Library and removed the flesh from her jaw line, reddened her eyes, and added a few blood stains to this once genteel image. Since then, Quirk Books has utilized images from Bridgeman’s collection to create striking cover artwork for the entire Quirk Classics series.


On March 22, 2011, Quirk Books will release Pride and Prejudice and Zombies: Dreadfully Ever After, the final book in the PPZ trilogy. To celebrate, Quirk Books and Bridgeman Art Library invite you to create your own mash-up title and original book cover using a public domain book title and a fine art painting from Bridgeman’s collection. Submit your entries by March 11, 2011 for a chance to win a grand prize package.

CLICK HERE TO ENTER

The Zed Word Nominated for DEAD LETTER AWARD

I'm proud to announce that The Zed Word zombie blog has been nominated for a Mail Order Zombie DEAD LETTER AWARD! (vote here)

Created by Mail Order Zombie, The Dead Letter Awards is the Oscar's of zombie media, recognizing the best in zombie entertainment from around the world. This year, the Zed Word has been nominated in the category of BEST ZOMBIE WEBSITE.

Voting is open to the public. If you've enjoyed my original reviews, interviews, special coverage, or videos, then please vote for The Zed Word by filling out a Dead Letter Awards ballot. Voting ends MARCH 6, 2011

Thanks to all who nominated The Zed Word. It really is an honor just be nominated.

DEAD LETTER AWARDS PRESS RELEASE

FOR IMMEDIATE RELEASE

3RD ANNUAL DEAD LETTER AWARD NOMINEES ANNOUNCED AT MAIL ORDER ZOMBIE

Mail Order Zombie announces the nominees for the 3rd Annual Mail Order Zombie Dead Letter Awards on February 12, 2011.  Since 2009, the Dead Letter Awards have honored the previous year's best in zombie movies and media, and this year's list of nominees reflect the best in zombie entertainment from around the world.  Nominated movies like La Horde (The Horde), Rammbock (Siege of the Dead) and E'gad, Zombies! join films like Zombieland, Death of the Dead and ZMD: Zombies of Mass Destruction in the movie categories highlight ingthe worldwide diversity of zombie cinema.  In addition to film, the Dead Letter Awards also honors books, videogames, comics and zombie-specific websites, as well as individual achievement in zombie media by presenting The Shambler, a lifetime achievement award (previous Shambler recipients are George A. Romero and Tom Savini).  The Fresh Meat Award is awarded to the best newcomer to the subgenre (previous Fresh Meat Award winners include Patrick Devaney, creator of the Zombie Hunters: City of the Dead television program, and Wes Young & Ryan Goff, directors of the short film Dead Exit).

The Dead Letter Awards ballot can be found at http://tinyurl.com/dla2010.  Mail Order Zombie is available at http://www.mailorderzombie.com or through iTunes and other podcast directories.  The 3rd Annual Mail Order Zombie Dead Letter Awards will be announced March 10, 2011, during Mail Order Zombie #158.  Bands scheduled to appear during the Dead Letter Awards ceremony include The Dead Elvi, Toxic Zombie, The Riptides, The Consortium of Genius and Buck 65.

About Mail Order Zombie
Mail Order Zombie is the award-winning zombie movie podcast produced and co-hosted by Derek M. Koch, aka Brother D.  Since 2008, Mail Order Zombie, or MOZ, has reviewed over 280 zombie movies, as well as zombie books, comics, videogames and even a zombie opera.  Based in the Pacific Northwest, Mail Order Zombie has listeners and contributors around the world, and is a member of the Palavr Family of podcasting.

February 16, 2011

Does New York have a Zombie Contingency Plan?

Perhaps not in so many words. However, as Daniel W. Drezner points out, New York's Public Health Legal Manual may provide a very real and legal framework during a zombie uprising.


According to William Glaberson of The New York Times, the manual's dense legal text outlines protocols for search and seizure without warrant, curfews, quarantines, evacuations, property seizure, and a number of other apocalyptic measures including mass animal slaughter and the forced treatment of "infectious" people.

Drezner (tongue-in-cheek) reads between the lines and legalese to suggest that the manual's provisions for securing against "radiological" or "chemical" contamination are, perhaps, a veiled attempt to institute protocols for protecting against the spread of the walking dead.

Do NY officials have a zombie contingency plan in everything but name? What do you think?

Dead Island (Amazing Video Game Trailer)

How often does a video game trailer leave you breathless?

The trailer for the new zombie game Dead Island dropped today, and it dropped with an unexpected emotional weight. More than just a game trailer, this video is a beautiful mini-movie unto itself.



Chilling, no? That music. Those startling realistic movements and facial expressions. Hopefully this trailer is not another case of a game's promotion being more artful and exciting than its content.

Because, damn.....that's a great trailer.

LinkWithin

Related Posts with Thumbnails